This is a compilation of footage Megan and I took which were unusable in our film due to circumstances such as focusing, laughter, bad acting or incorrect compositions/dialogue/expressions.
Labels
- Construction (2)
- Construction Process (7)
- Evaluation (9)
- Modified (18)
- Planning (17)
- Prelim (1)
- Research (10)
Wednesday, 25 January 2017
Reshoot Day 4
12th of January 2017
On the 12th of January, Megan and I decided to do the last parts of our filming process. We decided earlier on to utilise our Media Studies Studio for our office scene. Although it does not look much like an office, it still represents a room in which a meeting occurs. Our character Larry, who is played by Ben Ward, is involved within these shots as well as Mirabell who is played by me. The studio proved to be a really good location to use as there are many lights in so we experimented with them in order to create a well lit environment as well as shadows for our footage.

These shots took the longest amount of time as well as it being the largest sequence of shots. Megan and I chose to do multiple test shots in order to choose the correct angles and types, finally deciding on shot reverse shots mainly. This was so the audience could tell straight away who was speaking, who was more dominant out of the two characters and who was clearly taking the reigns.
As well as this, we realised that underneath the black curtains were neon green ones which we needed to ensure was hidden underneath properly, instead of peeking through. This was due to the fact some green curtain was in some of the test shots. It took us a short while to ensure only black curtain was in the shot, however once we accomplished this, the shot was perfect.
Ben, who played Larry, was very helpful as he bought his costume in to provide us with powerful mise-en-scene. This allowed us to be consistent with our storyline of Ben being the boss of me and Geraldine (played by Sophie). His suit was neat which contrasted with my scruffy suit, allowing Ben to be seen as more dominant and higher up than me as I simply worked for him which involved the exchange with the envelope.
Reshoot Day 3
10th of January 2017


Our chosen location was the park. We decided to have Sophie sitting on the bench and for me to join her, allowing the bench to be an addition to our film with relevance, due to it being the place where the exchange occurs.


Reshoot Day 2
9th of January 2017
Megan and I decided to reshoot on the 9th of January. We filmed the scenes of my character (Mirabell) walking in numerous different locations with the envelope prop. These shots were vital for our film as it shows the journey I made in order to deliver it to a specific person. The locations we decided to use were in parks and streets as they highlighted normality and casuality.

One of the shots we did, which was of me walking up some stairs, was part of the sequence just before I had entered Ben's office. These shots were good as they were very well lit with artificial lighting due to it being a car parks' staircase. Megan and I ensured to do numerous test shots in order to decide on the best angles to use during this. We quickly decided on the two shots of me from behind going up and then me from in front coming up as they showed my journey up these stairs very well.

In conclusion, I believe that this day was a very productive day as we shot multiple pieces of footage which came out very well. We both decided that the tripod was a very good element to our film as it helped us with stabilising each piece of footage as that was a problem in our first draft.
Tuesday, 24 January 2017
Reshoot Day 1
4th of January 2017

Megan and I decided to use a tripod for the reshoots due to the first drafts' footage being shaky due to not using a tripod for our first draft. This proved to be a good choice due to every shot being stable and good quality compared to our first draft. This allowed us to be able to show a wide contrast between our draft and final edit as we took on board numerous points of feedback from our peers and teachers in order to improve it dramatically.

We had both created a to-do list in order to be organised and do everything that needed to be done so we could begin the editing process of this sequence. We used a mixture of natural and artificial lighting so we would have the right amount of this in order for our footage to look the best quality possible. We also created a schedule regarding filming so that we could use both of these to be organised and efficient, using time management well as we knew exactly how we wanted our film to look. We also managed to ensure lighting was consistent throughout as this was a problem we faced in our first draft which showed that we did not think this obstacle through.

Megan and I discusses beforehand our plans regarding this day of footage so we knew exactly what to film. We decided that our target for the day was to modify the filming and ensure that we were making the improvements set to us by our teachers and peers. Our modified script and storyboard were simple to follow, despite this, we made minor adjustments in our filming instead of completely sticking to it as we came up with more ideas regarding shot types and dialogue.
The majority of the filming was in Megan's own bedroom as well as the bottom of her stairs. This allowed her to be comfortable whilst acting and let in a personal aroma into the film. It also allowed mise-en-scene to come through and due to this, it made our filming very natural and teen. In my earlier blog posts, I made it clear that Megan's character Kathleen was a typical innocent teenage girl so Megan and I decided that we needed to show this clearly in the opening film. We also decided that we were going to stick with the orginal costume idea which was casual and edgy for a teenage girl.

Overall, in this day, we completed the beginning and end of our thriller film opening and Megan and I both decided that this was a very productive day with high quality shots. This allowed us to begin our editing process so that we could really start to put together our reshoots for the deadline.
Friday, 20 January 2017
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