Chloe Mar-Gerrison
Thriller

- Black and white video at the back of the character brushing her hair. The music begins but it is very dark, not percussive and very thrilling. The credits presented are at the very bottom of the shot in white typewriter font which allows it to not detract attention from the extract but important enough to contrast well with the black and white theme of the filming.
- Close up of the make-up on the stand and the character grabbing it allows me to understand that the character is feminine and getting ready for something. Because we have not identified the character yet, this is known as being mysterious due to the woman being unidentified and unknown regarding personality and appearance.

- An extreme close up of the painting of the nails then becomes significant and the music becomes slightly louder and much more thrilling. No dialogue or any sort of identification has been apparent yet and this creates a gloomy atmosphere.
- Another extreme close up of the character blowing on her nails is now shown and because we are able to see the characters mouth, a slight amount of identification is shown. This makes it even more mysterious as we still have not seen the complete face.
- There continues to be short shots of the character applying make-up such as mascara and lipstick.

- There is now a shot of the characters' expression to the side and of her being a mixture of confused and shocked. This expression makes me feel more uncomfortable due to the naivity and that we have no knowledge of who is calling and whether it is dangerous.
- The character then ends the call without answering which is very thrilling and well done due to it showing either casuality or fear as there is some reason why she is refusing to answer.
- There is then a shot of the characters shoes walking up the stairs and a very sinister voice-over stating 'WE'RE HERE'. This is more of a convention of a horror movie due to it being very sinister and spooky, however it is still thrilling and deep so this is a convention of a thriller movie too.
- There is a repeated shot of the character ending the call and another voice over stating 'WE KNOW WHAT YOU DID'. Although this is very well-made, it is much more horrifying instead of being thrilling and also very typical and common.
- Dialogue then begins when the character answers the call displaying no caller ID. However, the voice is quite far away and distant so it is not exactly clear. Despite this, it also creates a tense atmosphere in the opening.
- More deep voice-overs occur.
- A repeat of the same dialogue from the character occurs and we are now aware that the situation is dangerous, especially as the music continues and becomes more eerie and sinister.

- The last scene is of the phone displaying that the call is still ongoing and then a voice from the phone states 'MARK MY WORDS, YOU WILL PAY.' This is very horrifying and sinister.
The strengths of this opening would be definitely the multiple amount of camera angles used and the black and white effect in editing which made it much more thrilling and inviting. I enjoyed watching the extreme close-ups in the beginning of the character applying make-up and ending the calls.
The weaknesses, however, is definitely the scene when the hooded character enters the room and the female character is not at all convincing that she is terrified. Also, the extract seemed much more horror-based instead of being a thriller movie due to its extreme sinister and alarming features.
- The title 'MARK MY WORDS' links to the last word of the extract and is a very thrilling title. This is because it is short yet effective which is typical in thriller films. The title shows that threatening theme in the extract and allows the audience to understand that the film has elements of threat and thrill.
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Another good thing that this student did was that they showed a clear representation of their audience research/questionnaire. This questionnaire is very helpful as I can find out what typical audience want and enjoy about thriller movies and what I should avoid.
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